Pollyanna (adjusted to fit, distorted for the times), 2007/2008/2012/2017.
In WHY PICTURES NOW. Installation view, 2017. Museum of Modern Art, New York.
© 2017 Museum of Modern Art, New York. Photo: Martin Seck.
Formica (adjusted to fit, distorted for the times, slippery slope 3), 2011/2012/2015/2018. In Other Mechanisms. Installation view, 2018. Secession, Vienna. Photo: Peter Mochi.
Formica (adjusted for the wall, Metro Pictures, FIAC,
distorted for the times, slippery slope 1), 2011/2012/2015/2017.
In Mechanisms. Installation view, 2017.
CCA Wattis Institute, San Francisco. Photo: Johnna Arnold.
Still Life (Candle) (adjusted to fit, distorted for the times), 2003/2016/2018.
In The Artist is Present. Installation view, 2018. Yuz Museum, Shanghai.
Andy in L.A. (adjusted to fit, distorted for the times, four), 2004/2016/2019;
Andy in L.A. (adjusted to fit, distorted for the times, three), 2004/2016/2019;
Andy in L.A. (adjusted to fit, distorted for the times, two), 2004/2016/2019.
In Andy in Chicago. Installation view, 2019. Art Institute of Chicago.
Soup and Mirror (adjusted to fit, distorted for the times, one), 2001/2005/2017.
Installation view, 2017. Metro Pictures, New York.
(Bunny) Sculpture and Painting (adjusted to fit, distorted for the times), 1999/2015/2019.
Installation view, 2019. Art Basel, Hong Kong.
Andy in L.A. (adjusted to fit, distorted for the times, two), 2004/2016/2019.
Installation view, 2017. Art Basel, Switzerland.
That Looks Nice (distorted for the times), 2015/2016/2018; That Looks Nice, 2015/2016.
In After. Installation view, 2018. Campoli Presti, Paris.
