Kenya (Robinson), Monkey Mouse, 2020.
Mickey Mouse plush, Mardi Gras beads,
18 x 13 x 8 in (46 x 33 x 20 cm).
Cindy Sherman, Untitled #317, 1996.
Chromogenic color print,
57 7/8 x 39 1/4 inches (147 x 99.7 cm).
Arden Surdam, Autopeises I-IV, 2020.
Archival Inkjet Print, Each 27 x 72 inches (69 x 183 cm).
Bas Jan Ader, Studies for Westkapelle, Holland, 1971.
Set of two color vintage prints,
Each 3 1/2 x 3 1/2 inches (8.9 x 8.9 cm).
Wickerham & Lomax, Untitled (host), 2017.
Double sided printed Plexiglas, welded metal stand in red,
customized nylon webbing, silver metal clips, wall shadows, floor lights,
9ft x 1.5ft x 4ft.
Isaac Julien, Stars (Looking for Langston Vintage Series), 1989/2017.
Kodak Premier print, Diasec mounted on aluminum,
70 7/8 x 102 3/8 inches (180 x 260 cm).
Gernot Bubenik, 3 Leporellos, 1965.
Oil and Xerox on cardboard with linen hinges.
Trevor Paglen,
A Prison Without Guards (Corpus: Eye-Machines)
Adversarially Evolved Hallucination, 2017.
Dye sublimation metal print,
32 x 40 inches (81.3 x 101.6 cm).
!Mediengruppe Bitnik, OSTL HINE ECSION (Postal Machine Decision Part 1).
14 of 21 LED illuminated letters, 14 of 21 cardboard boxes arrived at Werkleitz, Halle.
Louise Lawler,
Egg and Gun (distorted for the times, unhinged), 2008/2018.
Digital Fujiflex chromogenic print face mounted to Plexiglas on museum box,
59 1/4 x 47 3/4 inches (150.5 x 121.3 cm).
Jo Shane, Untitled Diptych, 2019.
Found public wheatpaste poster advertisements (NYC circa 2019), plexiglass, truss-head screws,
Each 36 x 48 x ⅛ inches (91 x 122 x .32 cm).
B. Wurtz, Three Blue Mops, 1986.
Wooden stretcher bars, mop handles, wire,
50 x 38 x 3 inches (127 x 96.5 x 7.6 cm).
Jo Shane, Reified Toy Molds, 2004.
Aqua resin molded to Artist’s children’s toys’ packaging,
Varying dimensions.
B. Wurtz, Pan Painting, 2016.
Oil, aluminum sheet pan.
Kenya (Robinson),
NOWHIRNG, 2020.
GREATBENEFITS, 2020.
INQUIREWITHIN, 2020.
Found signage, pedestals.
B. Wurtz, Bunch #2, 1995.
Mixed media, 99 x 48 x 48 inches (251.5 x 121.9 x 121.9 cm).
Halim Flowers, Jeff Coons, 2020.
Oil sticks on canvas, 30 x 30 inches (76 x 76 cm).
André Butzer, Untitled, 2019.
Acrylic on canvas, 107 7/8 x 83 7/8 x inches (274 x 213 cm).
SHAWNÉ MICHAELAIN HOLLOWAY,
define escalation or what is a ride and how much are they selling it for (?)mpeg(?) (film still), 2016.
Digital video, 4 minutes 1 second.
Bas Jan Ader, I'm too sad to tell you (film still), 1971.
16mm black and white film, 3 minutes 21 seconds.
Qualeasha Wood, Test of Faith, 2020.
Jacquard weave, satin Durag, sequins, glass beads,
71 x 54 inches (180 x 138 cm).
Paulina Olowska, Blue Forest, 2019.
Oil on canvas with collage elements,
78 3/4 x 51 3/16 inches (200 x 130 cm).
SHAWNÉ MICHAELAIN HOLLOWAY,
_.DEVICEPLAY (trust and touch, care and reflect) (film still), March 31, 2018.
Digital video, 4 minutes 55 seconds.
Cindy Sherman, Untitled #258, 1992.
Chromogenic color print, 68 x 45 inches (172.7 x 114.3 cm).
!Mediengruppe Bitnik, solve this captcha: Desperate times call for desperate measures, lol, 2017.
Neon sign, 8mm white glass tubes, transformers mounted on black wall mount/floor stand grid,
802 x 9597 mm.
!Mediengruppe Bitnik, Solve This Captcha: come chat with me, 2016.
Neon sign, 10mm white glass tubes, transformers, black wall mount/floor stand grid,
625 x 3844 mm.
!Mediengruppe Bitnik, Solve This Captcha: Is anybody home lol, 2016.
Neon sign, 8mm white glass tubes, transformers, black wall mount/floor stand grid,
797 x 4431 mm.
Gary Simmons, Armed and Organized, Property Damage, Dogs & Cats, 2008.
Triptych, Pigment and oil paint on gessoed paper,
Top framed 40 x 90 1/4 inches (101.6 x 229.2 cm),
Middle framed 27 3/8 x 60 1/8 inches (69.5 x 152.7 cm),
Bottom framed 31 3/8 x 71 3/8 inches (79.7 x 181.3 cm).
Halim Flowers, Too Big to Fail, 2020.
Oil on canvas, 30 x 30 inches (76 x 76 cm).
Gernot Bubenik, Naturgeschichte mit Tulpe und Plattwurm, 1965.
Auto lacquer on aluminum, 40 x 40 inches (102 x 102 centimeters).
Wickerham & Lomax, Frat Paddles, 2015.
Wood, uniquely printed towel, mesh, nylon wedding, metal chains,
rock spray, stickers, du-rags with zippers,
6 mannequin heads covered in a bird seed and bar snack mixture,
peanut butter sealed with Epoxy, each with a “Believe” necklace in metal.
Camille Henrot, Maso Meet Maso, 2015.
Three dimensional nylon polyamide prints for case,
button mount, and internal components, three dimensional resin print for receiver,
paint, torx screws, phone cord, 4p4c jack, wooden table, operating system:
Raspbian Wheezy, custom software written in Python and Bash, sound card,
passive power over ethernet transformers, hall effect sensor, 3.7W amplifier, 3w Speaker,
1/8" jack, tactile momentary switch, 20 gua silicone insulated wire,
solder, matrix keypad, perma-proto board,
Phone 11 3/8 x 14 3/4 x 12 1/2 inches (28.9 x 37.5 x 31.8 cm),
Table 41 x 36 5/8 x 24 inches (104.1 x 93 x 61 cm).
Arden Surdam, Scrubber (Bioreactor III), 2020.
Spirogyra, Acrylic, Flex Line Tubing, Tesler Hydroponic LEDs, Air Pump,
6 x 14 x 16 inches (15 x 36 x 41 cm).
Trevor Paglen,
Bahamas Internet Cable System (BICS-1)
NSA/GCHQ-Tapped Undersea Cable
Atlantic Ocean, 2015.
C-print, 60 x 48 inches (152.4 x 121.9 cm).