Gretchen Bender - Artists - Metro Pictures

Total Recall, 1987.
Eight-channel video on 24 monitors and three rear projection screens, 18 minutes.
In So Much Deathless. Installation view, 2019. Red Bull Arts New York.

So Much Deathless. Installation view, 2019. Red Bull Arts New York.

Installation view, 2014. Tate Liverpool.

Untitled - "The Pleasure is Back" Series, 1982.
Enamel ink silkscreened on sign tin,
70 x 70 inches (177.8 x 177.8 cm).

Mid-Effect Hold, 1983.
Photograph on Masonite and enamel ink silkscreened on sign tin,
58 3/4 x 52 7/8 inches (149.2 x 134.3 cm).

Gremlins, 1984.
Photographs on Masonite,
52 x 66 inches (132.1 x 167.6 cm).

Aggressive Witness - Active Participant, 1990.
Live television broadcast on 8 monitors, vinyl lettering,
black and white computer-generated film on 4 monitors, Soundtrack by Stuart Argabright,
19 minutes 41 seconds, Installation dimensions variable.

TV Text and Image (Metro Pictures Version), 1986.
Live television broadcast on 12 monitors, vinyl lettering,
installation dimensions variable.

Flash Art, 1987.
Chromogenic print on Masonite, vinyl, single-channel video,
Overall 96 x 84 x 19 inches (243.8 x 213.4 x 48.3 cm), 62 minutes 47 seconds.

Untitled (Daydream Nation), 1989.
Photographs on Masonite mounted on wooden armature,
40 x 120 x 60 1/2 inches (101.6 x 304.8 x 153.7 cm).

People in Pain (detail), 1988/2014.
Silkscreen on paint and heat set vinyl, neon, transformers,
84 x 560 x 11 inches (213.4 x 1422.4 x 27.9 cm).

People in Pain, 1988/2014.
Silkscreen on paint and heat set vinyl, neon, transformers,
84 x 560 x 11 inches (213.4 x 1422.4 x 27.9 cm).

Installation view, 1988. Metro Pictures, New York.