Four Clouds
Scale Invariant Feature Transform; Maximally Stable Extremal Regions; Skimage Region Adjacency Graph; Watershed, 2017
quadriptych; each pigment print
each: 33 x 46 inches (83.8 x 116.8 cm)
It Began as a Military Experiment, 2017
set of ten pigment prints, glossy finish
each: 17 x 13 inches (43.2 x 33 cm)
"Fanon" (Even the Dead Are Not Safe)
Eigenface, 2017
dye sublimation metal print
48 x 48 inches (121.9 x 121.9 cm)
Megalith, 2017
pigment print
82 1/2 x 72 inches (209.6 x 182.9 cm)
Comet (Corpus: Omens and Portents)
Adversarially Evolved Hallucination, 2017
21 1/2 x 26 7/8 inches (54.6 x 68.3 cm)
False Teeth (Corpus: Interpretations of Dreams)
Highway of Death (Corpus: The Aftermath of the First Smart War)
32 x 40 inches (81.3 x 101.6 cm)
Venus Flytrap (Corpus: American Predators)
Human Eyes (Corpus: The Humans)
48 x 60 inches (121.9 x 152.4 cm)
A Man (Corpus: The Humans)
Porn (Corpus: The Humans)
Rainbow (Corpus: Omens and Portents)
Vampire (Corpus: Monsters of Capitalism)
60 x 48 inches (152.4 x 121.9 cm)
A Prison Without Guards (Corpus: Eye-Machines)
Octopus - (Corpus: From the Depths)
Behold these Glorious Times!, 2017
single channel color video projection, stereo mix
duration: 12'
Machine Readable Hito, 2017
adhesive wall material
193 x 55 1/8 inches (490.2 x 140 cm)